History of hip-hop dance scene in Japan
In Japanese hip-hop, dancing has been the center of the main cultrure, other than rapping, graffiti, and DJing. This is because dancing has a visual impact so everyone can uderstand, when it comes to dance there is not a language barrier.
Old School Era
Before Hip hop was introduced to Japan, there was soul dancing, the heart of a revolution of ongoing dance. Soul dancing was introduced to Japan through such shows as Soul Train in the 1970s. I would say this soul dancing played a role as foundation that enabled Japanese people to learn and accept black or street dance culture. Hip hop dance culture in Japan started after the movie “Flashdace” appeared to the public in summer of 1983 though some people had already known about it and started doing it before. Although the movie was not about breaking (or b-boying), few seconds of kids doing elecric boogie and breaking on the street caught many Japanese people’s attention. After Flashdance, many other movies followed such as “WILD STYLE”, “BEAT STREET”, “BREAKIN’”, and “BREAKIN’ 2″. Rock Steady Crew came to Japan in 1983 and Boogal Shrimp A.K.A. Turbo from the movie “BREAKIN’” came to Japan and planted the seeds of hip-hop dancing in Japan. There were many breaking crews. Some crew such as Be-Bop Crew (Fukuoka area), Imperial JBs (Hakata), Angel Dust Breakers(Osaka), Osaka Gangstar(Osaka), and Be-Bop Crew Tokyo (Tokyo) represented each areas and got props among dancers. During this era, dancers such as Popping Pete and Sketer Rabbit from Electric Boogaloo, Booglaoo Shrimp (a.k.a Turbo from Movie “Breakin’), Boo-Ya Tribe, Popping Taco, and Rock Steady Crew came to Japan and inspired lots of Japanese dancers. Especially, Popping Pete and Sketer Rabbit were often invited to Osaka which make Osaka popular as a place having many good poppers. (When Mr.Wiggles came to Osaka in 96 of summer, he was so impressed about Osaka because he says he never seen one place has so many poppers like Osaka.)
New School Era
New school hip-hop dancing era came with the boom of New Jack Swing music. This boom began in 1989 and 1990. The music video of artists such as Bobby Brown, Bell Biv Devoe, Heavy D, and M.C. Hammer proved that a new way of dance was coming alive and all of the young dancers were ready to explore this new form and make it real. You might remember that during this era, many rappers featured dancers. A local dance TV show called “DADA LMD” started in 1989. In comparison to the American Soul Train, there was a line dance at the end of the show. There were also the section of dance lesson introducing latest trendy steps instructed by regular dancers in the middle of the show. Later, these regular dancers made a debut as a singer and made commercial success. Also, there was another dance TV show called “Dance Dance Dance” . This show featured a dance contest competed by 4 group every week, and a special dance performance by the program’s regular dancers called “Megamix”. Since these two programs were local programs and also aired after midnight, the impact was not enough to create explosive boom of new dancing. The national TV show “Dance Koshien” started in 1989. This show was aired 8 o’clock on Sunday. This show is about street dance contest for high school students. (Actually, most of contestants appeared on TV were not high school students, though.) This show had a great impact on many young people that began to dance. Some people who made their appearance on Dance Koshien found their claim to fame. A group called “LL Brothers” was the most successful group from this show and became a singer later. The existence of these three dance programs show how much the popularity was big.
After this boom was over, many people stopped dancing. But at the same time, many still stayed in it. Combined with the people from old-school era (breaking era), these people brought the culture into next level. The street dancing became real culture not a trend.
New York and Japan
Among Japanese dance kids, dancers appeared on music videos are hereos and role models. Dancers such as Link, Stretch, Loose Joint, Ejoe, Calief, Peek A Boo, Marquest, Kito, Rubberband, and Brian were well known dancers in Japan. The trend of dance style used to change really quickly around 1991. The dancers who gave influence to Japanese dancers at this time are Shake (NY), Fendy (NY), Soul Brothers (LA), Robert (LA) and Scheme Team (LA). The only way to get catch up this trend was to watch music video at that time. One of the video which had a greatest impact on dancers was Lalah Hathaway’s “Baby Don’t Cry” featuring Mop Top crew and some other dancers. After this video, many dancers started to pay attention to NY sophisticated dance style. Many people began to visit New York City to actually see these dancers. The Japanese pop music group “ZOO” featured these dancers for their video. The docmentally program about street dancers in NY “ALIVE TV:wreckin’ shop from Brooklyn” also gave a great influence to dancers in Japan.
House dancing as a new form of dancing
Around 1992, some people realized the existence of other form of street dancing which is HOUSE dancing. The music video of Crystal Water’s “Gypsy woman” is said to the first dance video featuring house dancers, Calief and Peter Paul. (Actually, in NY, house dancing had been around for a while before that video.) Then, House dancing developed so quickly and now it is established in Japan as a category of street dance as well as hip-hop, breaking, locking, and popping.
Does Japan Keep Real?
Although it is started as boom, now hip-hop is culture and getting real gradually in Japan. However, Japanese people have tendency to follow something new from the US. They think that’s good because Americans do. They are crazy about buying expensive hip-hop gear such as Polo, DKNY, and Tommy because famous dancers in NY wear. This tendency has kept Japanese hip-hop culture from getting real. The language barrier is also the problem. Since most of them don’t understand What KRS-one is saying on the SOURCE magazine, they can not help depending on visual information so much that the culture is easy to be superficial. Since Hip Hop can be said a black culture, people think it is dope to dance like black people or even act like black, which is not real point of hip hop culture. However, it is true that the way Japanese enjoy the beat and the culture is almost exactly same as people in America. And Japanese people start understanding the significance of hip-hop and lifestyle gradually and trying to create their own hip hop.
Eil Nomics countines to press on thru the music, and marketing world, his album Eil Nomics “Animal Instincts”, is available in stores in Newark, DE @ Sam Music Connection, Wonderland Records, & Flavor.
For those who are not in the Delaware reigon, you can get the album online http://itunes.apple.com/us/album/animal-instincts/id442969022
Also Eil Nomics is currently working along with Elevated Scott (Scott McDowell) as his A&R/Social Media Manager for www.globalattackmixtapes.com/ & http://www.international-hiphop.com/ reach its goal of becoming the best household mixtape , and website(s) releasing the hottest world and music news.
Eil Nomics song “Tess Me” produced by SuperStar O will be featured on the “Global Attack Mixtapes Vol.3.” You can see the video for “Tess Me” on youtube at http://www.youtube.com/watch?v=uCOctCEI6lI&feature=youtu.be VIDEO. With only one month of college left until completing at the associates level, Eil plans to continue to further his education to the bachelors level studying Business Management at the University Of Phoenix. Eil encourages kids to stay in school and pursue the passion for what they want to do. Eil Nomics also has great cameo in the new movie “Brotherly Love” directed by High Dep starring Gille Da Kid, Ving Rhames, Shane O, and many more. The movie is do to release late 2011. Stay tuned for the upcoming projects coming from InsideOut Ent. Eil Nomics “The Best Of N.O.M. Vol. 1 and “Animal Instincts” 2 RELOADED which will be released under the Phli Records label.
Thanks to everyone for your love and support.
Another Long Video lol For ALL the TRUE FANS. Ranger Gang! Team Rangers! We hope you enjoy the video (: Get your swimming videos up asap!! We love yall.
Elevated Scott is Founder and President of Elevated Entertainment Solutions, LLC. Originally from Baltimore, he has taken up residence in North Carolina, New Mexico, Florida and California. He is currently living in New York City. Elevated Scott’s professional career began in print media working as an account executive with the Examiner news paper group. He helped launch the Baltimore Examiner which was the first daily news paper since 1987 (USA today) to release daily news throughout the US. After a couple years handling the entire Baltimore city territory, Elevated Scott then headed for South Florida to take a position with CBS sports radio as an account executive and on air personality. While working with CBS sports radio Scott was covering a tour “Hot Import Nights” and he decided to put together official after parties for the 18 city tour having celebrities, artists and models from the tour attend the parties in various night clubs around the country. The events successfully concluded each of the HOT IMPORT NIGHTS which were held at the professional sports complex. When the Hot Imports Night Tour ended, Scott was stuck with a tough decision as to leave his position with CBS Sports radio and head to LA to work with (50/50) Konvict Muzik Group. Scott courageously left south Florida to head for Hollywood and his career in the music industry began. Elevated Scott initially stepped in as a manager for one of Akons associates Qwes Kross. Qwes released a single featuring Akon titled “Hold on Tight” in Europe and it was highly successful as it reached as high as #16 on the charts and #4 on the Itunes dance chart and brought on much opportunity for Qwes and Elevated Scott. Qwes played a role in a Lions Gate film (Wrong Side of Town) a 20,000 person concert in Belgium at the TMF awards and a European reality show (The Project). Elevated Scott was on the front lines for Qwes Kross and helped launch the (50/50) Konvict Muzik brand into an international identity that Akon has done such an amazing job developing the blueprint for success so they followed suit. Through working with Qwes at Konvict Muzik, Scott was also introduced to Colby Odonis and Scott worked close with Colby’s management team to push his single “Texting Flirtion” to get up to 1500 Bds spins a week around the world. In addition to Colby and Qwes, Elevated Scott also worked with another one of Akons artist “YA Boy” pulling in sponsors and seeking endorsement opportunities for YB. Scott was also very active in the music scene in Los Angeles and became a person of demand for his savvy outside the box marketing and promotions campaigns. He was hired by Dr Dre’s son Curtis Young to help release his Single “MUZIK” off his debut album “Product of my DNA”. Next had came a call that Scott was shocked and honored to receive, Platinum trinni ent/Universal Music Group reached out to Elevated Scott to help handling some of the marketing and promotions around the release of the legendary Bonnie Pointer of the Pointer Sisters new EP titled “Like a Picasso”. After the project was completed with Bonnie Pointer (the pointer sisters), Elevated Scott had his eyes set on NYC to expand his network and open his full service marketing and promotion agency. During the transition from LA to NYC Elevated Scott briefly consulted with Suga Bang Bang of the legendary WU-TANG clan to help push an EP in the summer of 2010. Elevated Scott had the brilliant idea to create a platform to help artist build their online presence and bring their records to life by leveraging each artist fan bases together and putting together a extremely aggressive social media and online marketing campaign to drives sales worldwide through distribution with Island Def Jam. Global Attack Mixtape Series is a monthly compilation series that features the hottest signed and unsigned artist from around the world and is distributed through Island Def Jam digital. Elevated Scott has developed a very impressive catalog of some signed artist such as Kid Capri, Jadakiss, Gucci Mane, Styles P, Treach of naughty by Nature, Wu-Tang Harlem 6, Freeway and emerging artist from all parts of the world such as France, United Kingdom, Virgin Islands, Jamaica, Belgium, Japan, Korea, Canada, Sweden, Spain and South Africa as well as all across the United States and new artist getting involved daily from all regions of the globe, it’s truly a Global ATTACK. Aside from the mix tape series with major label distribution with island def jam digital Elevated Scott decided to launch www.International-HipHop.com which is currently a blog site that receives traffic from 136 countries and growing. Elevated Scott is currently looking to redesign international-hiphop.com into a full fledge multi media site that will integrate a 24hr radio stream, weekly web series, report the top hip hop news from around the world and of course be a backbone to promote the Global Attack Mix tape catalog and build the awareness of the Global Attack Mix tape series. Elevated Scott recently launched Global Attack on DTF radio, a weekly internet and smart phone based radio show that will allow Elevated Scott to voice his opinion in a informal, edgy in your face way to be your urban pop culture guide, as well interview some of the most relevant talent in the entertainment industry. Shows air every sat from 5pm-7p EST on dtfradio.com and through all smart phones search for the “tune-in” app and then once in the app search for dtf radio channel and don’t forget to check out the show every sat from 5pm-7pm est. Elevated Entertainment Solutions, LLC has its hands in a bit of all aspects of entertainment. Currently Elevated Scott is working as a consultant to pull in endorsement deals for his NFL client, Presscott Burgess and is also working as a consultant with one of the top pro BMX teams Bulldog Bikes Worldwide. It’s very clear that Elevated Scott is a force to be reckoned with and he is a marketing mogul to say the least and make sure you look out for his other sites that are currently under construction (MixtapeSeries.com and ConcertShowPromotion.com. If your looking to contact Elevated Scott to get involved with the Global Attack Mixtapes or be featured on International-HipHop.com feel free to email Elevated Scott directly Scott@International-HipHop.com
Black Pearl Entertainment And Coast 2 Coast Promotions present “Raw Like Sushi”, a mixtape that showcases the fresh, fly, and flashy sounds of St. Louis-based artist Yung Ro. With collaborations featuring such artists as Gena, Ooops, Hittman Holla, DeAndre Perrimann, Nikko Smith, and Murphy Lee, “Raw Like Sushi’ is loaded with banging hot tracks from some of the Midwest’s hottest producers such as Beastaz, Basement Beats, Stand-Up Ent., and Trouble Beats. After listening to this latest project from the Billboard-charting indie artist, it is no wonder why Yung Ro has gained the attention and respect of many in the industry. “Raw Like Sushi” is just a taste of what is yet to come. With the hit single ‘Candy Gurl’ being featured on Global Attack Mixtapes Volume 1, Yung Ro is an artist that will surely become a household name not only in the US, but also on the international music scene in the months and years to come.
‘Raw Like Sushi’ is available for download at:
Life on the streets of Saint Louis is plaqued by many negative temptations that can lead youth down a troubled path. This is an aspect of life that Yung Ro came to witnessed early on when his father went to prison. Yung Ro promised his father that he would become a better man and not travel down the same path. This provided the inspiration that led Yung Ro to found the community organization, “Runway 2 Empowerment”. Through the use of fashion, Runway 2 Empowerment provides a positive outlet in the St. Louis community that focuses on nurturing creativity while keeping teens out of trouble. Yung Ro is an example of a hip-hop artist postively affecting his community, straying away from the negative stereotypes that many associate with hip-hop music.
Besides his community involvement, Yung Ro proves through his music that you don’t have to rap just about guns and drugs for people to listen. One of the hottest artists to come out of the Midwest, the music and message of Yung Ro can now be heard on a worldwide scale. His single “Candy Gurl” can be found on Volume 1 of the Global Attack Mixtape Series.
Purchase your copy of Global Attack Mixtape Series Volume 1 today!
Please visit http://www.runway2empowerment.com/ to learn more about Runway 2 Empowerment
As a grizzled hip-hop vet, I can’t tell you how thrilling it is that curator Barbara London’s Looking at Musicseries has burned past the 1960s and ’70s to arrive, in its third iteration, in the 1980s and ’90s. Finally, it’s time for my peoples to shine!
From the very beginning, hip-hop culture has boasted a strong visual component. The city’s outer boroughs had been alive with creative ferment throughout the 1970s. Engaged in for the most part by youth of color, these disciplines took the shape of poetry (called “rap”), music (called “deejaying”), dance (called “b-boying” or “breakdancing”), and the visual arts (called “graffiti” or, by its practitioners, “writing”). By the very early 1980s, Bronx deejay and founding visionary Afrika Bambaataadeclared that these sometimes disparate scenes comprised a single culture, which he dubbed “hip-hop.”
Taking their cue from Bambaattaa, the pioneering promoters who first brought hip-hop downtown made sure that their shows included all four of its “elements”—not just deejays and rappers, but b-boys and graf writers. Among these promoters were Fab 5 Freddy, a graf writer himself, and Michael Holman, a filmmaker, photographer, and musician. (Holman and Jean-Michel Basquiat were also in a band together.)
This sensitivity to the visual aspects of the hip-hop culture were also present in Russell Simmons and Rick Rubin, the duo who teamed up to formDef Jam Recordings in 1984. (I was the label’s founding publicist.) Rick, a film student at NYU when he first began producing records, designed Def Jam’s striking and imperishable turntable logo and oversaw the design of the covers of the albums issued by Def Jam, as well as its advertising. The fashion-conscious Simmons directed the rappers Run and DMC to take their sartorial cues from deejay Jam Master Jay, whose devotion to Stetson hats, Adidas sportswear, and laceless sneakers defined hip-hop style on the streets of Hollis, Queens, in the early 1980s. (Of course, once Run-DMC started wearing that gear on their album covers and in their videos, the style quickly went international.) Russell was also alive to the cinematic appeal of hip-hop, which helps to explain how and why he, Rick, and their artists ended up at the center of 1985’s Krush Groove.
It is also to Def Jam’s credit that they employed a staff artist from the very beginning. That person was Cey Adams, a graf writer from Queens whose work was exhibited alongside Haring’s and Basquiat’s when graffiti first starting showing up in Manhattan art galleries in the early 1980s. At Def Jam, Cey created whatever was required, from gigantic canvas stage backdrops to logos to album covers to advertisements to clothing. It was also Cey who pushed Def Jam to move beyond graffiti, graphically, which struck him as “played out” by the mid-1980s. As a pure product of hip-hop culture, then, Cey was a wonderful choice to create one of the posters for Looking at Music 3.0.
For my part, I started collecting hip-hop artifacts in the late 1970s, motivated by the conviction that they possessed value as both history and art and that that value would increase with time. Several of the album covers in the show are from my collection, as are two posters. The Public Enemy “Nation of Millions” poster (1988) is naturally graced with the Public Enemy logo, which was designed by PE’s Chuck D, who studied graphic design while enrolled at Long Island’s Adelphi University in the early 1980s. As a music lover as well as an artist, Chuck was a particular student of logos. “From the Beatles’ Apple label to the Rolling Stones’ tongue to the brand for Iron Maiden, they held the rock world together,” he’s said. The PE logo—the silhouette of a b-boy in the crosshairs of a rifle sight—reflected Chuck’s belief that every young black man was a target in the eyes of the powers that be.
As the decades have passed, Cey Adams has tracked the influence of hip-hop visual style—and hip-hop-oriented artists—in the worlds of fine art (Banksy and Shepard Fairey, among many many others) and commercial art (from clothing to cars to fashion). This thesis is spun out at some length in Cey’s book,DEFinition: The Art and Design of Hip-Hop (Collins Design 2008). That book can be seen, I think, as the catalog for an exhibition that is waiting to happen.
[AND MUCH LOVE AND RESPECT GOES TO BILL ADLER FOR BEING THE AUTHOR OF THIS BLOG]
1. Reggie (Intro) (Produced By The Futuristiks, Team Ready)
2. That’S Where I B F. Dj Kool (Produced By Efrain “F.A.M.E” Rodriguez, Ty Fyffe)
3. Def Jammable (Produced By Dj Khalil)
4. Full Nelson F. Ready Roc, Runt Dawg & Saukrates (Produced By Tone Mason)
5. Lift It Up (Produced By J. Rob )
6. All I Do F. Faith Evans (Produced By Freak!!)
7. Lemme Get 2 F. Saukrates (Produced By Rich Kidd)
8. Mic, Lights, Camera, Action (Produced By Rockwilder)
9. Cheerz F. Ready Roc & Melanie Rutherford (Produced By M-Phazes)
10. Rockin’ Wit Da Best F. Kool Moe Dee (Produced By Threesixty)
11. Lite 1 Witcha Boi F. Method Man & Bun B (Produced By Dj Mecca And Jimmy G Of The Audibles)
12. Whn The Lites Go Off F. Poo Bear (Produced By King David)
13. Tiger Style Crane (Produced By The Fyre Dept.)
Presise also known as Mike McNeill was born and raised in Aberdeen, North Carolina. With his life being jeopardized by two felonies and a misdemeanor at the age of 13, Presise figured he should find a hobby in order to have a brighter future and refrain from trouble.
For Presise to get the ball rolling and implement his plan he began to write plus going to teen clubs and parties promoting himself. After years of grinding he got spins in clubs and on some radio stations. Since then, Presise opened for big acts such as Frenchie (From Brick Squad), 36MAfia’s Project Pat, Dj Drama, Sauce, Rick Ross, Travis Porter, Trina and Def Jam’s recording artist Lil Ru which Presise recently did a collaboration with. The collaboration will be part of The Global Attack as well. Next mission at hand is to tackle the Global Attack Mixtape Series.
“Having all this under my belt makes me want to step it up more and more. I do this for the love and the love of it. Point blank period, I do this!”
Global Attack MixTape is the first mix tape series to bring urban music together from around the globe on one project – from both successful and up-and-coming artists. For more information, visit www.GlobalAttackMixTapes.com or stay tuned in the music news.